Born and raised in Dublin by immigrant parents, I discovered early that film was more than entertainment, it was a bridge. With language barriers at home, storytelling became my way of connecting worlds, sparking a deep passion for visual narratives.
My journey into the entertainment industry began onstage, acting in plays and musicals, but I soon realized that where I really belonged was behind the scenes. Producing allows me to shape stories collaboratively, blending creativity with strategy.
What excites me most is the power of film to challenge perspectives and unite audiences. As a producer, I aim to share stories that resonate across cultures, just as they did for me growing up.
Under the Tree (Written and Directed by Amy Fahy)
– Producer
Fishbowl (Written and Directed by Leah O’Riordan)
– 1st Assistant Camera
Natural (Directed by Marly Diallo)
– Gaffer
Red (Written and Directed by Oisín Moroney)
– Producer
Silver Linings (Written and Directed by Leah O’Riordan)
– Grip
The Demonic Dilemma (Written and Directed by Meaghan Duffy)
– Camera Operator
Autopsy (Written and Directed by Ashley Smith)
– 1st Assistant Director
Handle with Care (Written and Directed by Oisín Queally)
– Producer
Handle with Care is a darkly comedic yet poignant exploration of love, loss, and materialism in a near-future relationship. When Frank—on the brink of marriage—chooses to transcend his human form and become a sleek, silent black box, his fiancée Angie is left to grapple with the ruins of their connection. Stripped of emotional reciprocity but still capable of fulfilling physical desires, Frank’s new existence forces Angie to confront the hollow core of their bond.
A biting satire of modern devotion and technological alienation, this film — my first collaboration with Oisín Queally — asks unsettling questions about what we sacrifice for convenience, and what remains when love is reduced to mere utility.
Looking for the Light (Directed by Oisín Moroney)
– Camera Operator
Ribbit (Written and Directed by Oisín Moroney)
– Producer
Simple on the surface but with layers ready to be discovered and experienced, Ribbit is a short film about Alfie, a young boy grappling with isolation and upheaval after his family moves to the countryside. As his parents’ relationship fractures under the strains of their new life, Alfie navigates the unfamiliar world around him. Isolated. What begins as a simple tale of relocation unfolds into a subtle yet haunting exploration of neglect, where the innocence of childhood collides with the quiet chaos of adult struggles.
Directed with an intimate lens, Ribbit captures the unspoken tensions of a family unravelling, leaving Alfie to interpret his surroundings in ways both imaginative and unsettling. A cautionary glimpse into how easily a child can slip through the cracks, the film lingers in the delicate space between innocence and consequence.
TV Night! (Written and Directed by Carrie McDaid)
– Producer
TV Night! is a psychological thriller and social satire, set against the polished, pastel world of mid-century domestic bliss. Beneath its glossy exterior, the film unravels into a darkly surreal critique of media control and manufactured nostalgia. Watch as Aidan slowly peels away the lie that is being fed not only to himself, but the rest of the world trapped under Refarium’s watchful eye.
Chilling yet charming, TV Night! Acts as a lens to a world wherein people are controlled directly through their screens at home, a commentary on the control that media can have on people and what people might miss if they stop asking questions.
The Hollowing (Directed by Oisín Queally) COMING SOON
A young couple seeking a fresh start moves into a historic manor turned apartment complex, seduced by its charm and the promise of a new beginning. But their dream home soon reveals a darker reality—one of eerie rituals, unsettling neighbours, and an unspoken rule: No one ever leaves. As the house’s grip tightens and reality distorts, they must confront not only the horrors lurking within its walls but also the limits of their relationship.
My second collaboration with Oisín Queally, The Hollowing is a psychological horror-thriller that delves into the unravelling of love under pressure. Shot on a microscopic budget, this ambitious project proves that true terror doesn’t need flashy effects—just a creeping sense of dread and the chilling realization that some doors, once opened, can’t be closed. COMING SOON