Visual Communication

Naomi Jack

I am an Irish-born Zimbabwean artist based in Laois, often known online and by friends and family as Mimi. I am an ever-evolving creative, interested in art of all forms but most drawn to photography, illustration, cinematography, graphic design, film and image/composite editing, as well as creative writing and voice performance. I am an artist who never wants to limit my learning and exploration of the world by drawing inspiration from personal experiences and the lives of those around me. My aim is to represent and introduce my perspective through intuitive, creative expression, often using unconventional methods to achieve my vision, not limiting myself to any specific medium. My art expresses the truth of my reality, inviting viewers to find their own meaning within it.

/ LinkedIn / Instagram

It Hurts; Microaggressions

It Hurts; Microaggressions explores the emotional and psychological toll of microaggressions through tactile design, poetry, and typographic experimentation. Drawing on the concept of “death by a thousand cuts,” the work visualises how repeated, seemingly minor comments or actions accumulate to cause lasting harm. A series of four posters—all held in a scalpel-cut card sleeve—uses a disrupted grid system, crochet symbols, and thin Noto typeface to evoke the quiet, repetitive damage microaggressions inflict. Accompanying this is a moving image piece featuring red yarn being pulled and stretched, symbolising emotional tension and erosion, layered with a voiceover of a poem written and recorded by the artist. Targeted toward educators, policy makers and students, the project highlights how implicit bias is often learned and absorbed from a young age. Through materiality, rhythm, and tension, this work invites viewers to observe, reflect, and engage with the often invisible experience of marginalised and minority groups.

Dermis

Dermis is an experimental audio-visual project that explores skin as a symbolic space where identity, vulnerability, and visibility are negotiated. Rooted in the artist’s personal experience with eczema, the work reflects on how visible skin conditions can shape emotional discomfort and alter one’s sense of self under the gaze of others. The film was created using analogue materials to mimic the ruptured, layered appearance of skin under a microscope. These shifting visuals are paired with a poetic voiceover that features intentional changes in pitch and tone, emulating the isolation, distortion, and internal fragmentation that arises under judging eyes. Dermis aims to raise represent the unseen psychological effects experienced by people with skin conditions by inviting viewers to look beyond appearance, the work challenges the harmful pressures reinforced by societal beauty ideals. It asks us to consider how easily the body becomes a site of judgement.